As we all know, Hurricane Sandy has left an extraordinary amount of damage and suffering in its wake. After a little more than a week, 110 people in the US are dead (with another 67 dead in the Caribbean and 2 in Canada), 350,000 in New York are still without power, and there is thought to be between $15-20 billion in damage. In the midst of all of this human (and animal) suffering at hand, everyone is understandably more concerned with working towards the safety and preservation of life. However, when power is restored, homes repaired, and lives made somewhat whole again, attention will likely turn towards more “abstract” concerns.
I saw a couple stories over the weekend about how flooding in New York City affected cultural institutions. In the first story, Anderson Cooper interviewed New York Governor Andrew Cuomo as they toured the 9/11 Memorial Museum site. The museum, which is mostly underground (and thankfully still empty) flooded with around 200 million gallons of water. It was roughly 5 feet deep. Another story on Bloomberg Businessweek drew attention to the millions of dollars of damage and loss of art after the basements of artists’ studios and galleries flooded (I should note that the first story I read was on CNN, but the link appears to be broken). A massive conservation triage-type effort is underway to halt further damage to works that can still be saved– indeed, conservators in the area are absolutely inundated with work– though some were simply damaged beyond repair (or the money it would take to repair and restore it would be more than the piece is worth).
There is a lot of buzz about how this storm has really brought attention to the fact that climate change is starting to manifest in more noticeable (i.e. highly destructive) ways. Sandy was literally a perfect storm of events: a hurricane + a cold front + high tides. In another article on ArtInfo on the 9/11 Memorial Museum, it talked about how museum planners knew that the museum was built in an area that was susceptible to “100-year floods.” While there was theoretically a 1% chance that the museum could flood every 100 years, the area has seen substantial flooding twice in the last 14 months. Talk of future storms is taking into account increased frequency of so-called 100-year storms and higher sea levels. In other words, the destruction that we saw from Sandy– particularly the flooding– could very likely be the tip of the iceberg of future issues along coastal lines and areas of low elevation, which also happen to be the locations of some of the biggest and most prominent museums in the US. Continue reading